PROJECT LEWES

I decided back when first carpetting the boards with synthetic fur to leave the low ground or marsh edge of the river Ouse for a different surface. I thought this becasue I wanted the 'grass level' much lower than the pastureland and the heights. After staring at it for the past two weeks and a failed experiment in dying a toweling bath-mat I came to the realisation I should have covered the entire surface and worked the pile down. Well, I've been learning as I go. The sink points have been painted in a dark undercoat which I will later wash over with browns for a muddy effect before adding the water effect using a product I have yet to determine. They will be sown with reeds. I then carpeted around the bog holes with more synthetic fur using Selley's Quick Grip . I'll be trimming the entire area quite low, particularly about the bogs. As the pile will be lower and thin, I plan to attempt painting in the same greens as the rest of the boards but rubbing or p

Well, all of the synthetic covered tiles are now completely painted. The first shot shows the beaten ground on which I will feature the town edge. Some sparing white is intended to indicate the chalk coming through the thin topsoil. The fully worn chalk tracks are fully painted with a generous dry-brushing of cream over which I dry-brushed stark white (two coats). I was happy to dust off to either side of the track onto the fur. This shot also includes the worn ground up to and about the windmill site. You may also note the broad bands of colour better represented in the next shot.  After posting my reference photos, I decided to hit the fields with swathes of flowers after all. Centre/left directly above the track junction you can make out the expanse of purple flowers achieved simply with a generous dry brush with a house brush. I wasn't worried about how much paint I used as any drops forming I hope will serve as representing flower heads. To the right of the last bend

Rummaging through my boxes yesterday, I found by old back-up discs with my shots of Lewes when I walked the Downs in 2005. Could it have truly been that long ago? I took these photos with my old Canon Powershot S70 which is stitch-enabled to take panoramic shots. I copied them into my new computer drive and using Autostitch (instead of Canon Photostitch ) found I got decent results. These photos are achieved by merging two photos only - one of my central shots is too misaligned to enable a proper match - I didn't use a tripod. The first image is a view about half way up the Downs from Lewes toward the top where de Montefort's army formed up. As I interpret the battlefield to my left is the rise up which the centre and left wards of the Royal army ascended. The entire span of the approach is divided by a spine along which runs the track I walked, separating the left to wards from the Royal right flank both physically and visually. Turning to my left, we see where the K

Third tone: a dry brush of lighter green . Talk about momentum. Got home and whilst the light was good in my back room (Autumn now) I got a three-finger width house brush and took to the boards with the third and final green 'coat'. At this stage I soon discovered not to be prissy and feel free to work the paint into the pile. Also, fingers are very good in a brisk, rubbing action to blend accidental excess into the overall green smear. Straight into it, I hit the tracks with a base coat of mid-earth brown, smearing it at first with a thick craft brush then worked it into the fabric with plenty of water. The paints reactivated with the water and I got a very pleasing ochre effect in the main. I didn't care about being too finicky as I expect the grasses to the sides will be slightly dusty in high summer. In any event the next step is a generous dry brushing of light cream and then a highlighting dry brush of white in keeping with the chalk surface. The top two shot

I seem to have gotten a move on finally and once started am now under-way once more as you can see from the drive-way production line. These panels have been stacked on a shelf under covers for the past year-and-a-half and now are seeing the light of day. I am learning much as I go with my air-compressor and spray gun but to be honest, it's really quite straight forward though not simple. I am having much more success with this large equipment than I ever had with an air-brush - fiddly bloody things. One of my first observations is how the synthetic fur alters even after the first coat of acrylic paint. I probably could have gone for house paint - cheaper and with greater volume - but went for the matte fluid acrylic craft paints to be on the safe side for my first attempt. Even with the thinnest of coats, the acrylic tones right down to a khaki and stiffens considerably. Any ideas I might have had about flossy, springy grass has been dispelled. There will be some elasticity and

This has been far too long in the making  or should I say assembling? Bought in December as a Christmas present to myself I just got it out of the box and yes, assembly was required. This 50 litre compressor is just what the doctor ordered and when united with my spray gun and hose, what was taking me hours was taken care of in minutes. WHAT A DELIGHT! The above is the smaller of a two gun set and once I had read and re-read the instructions, the novice engaged the device and away I went. Given that I am colouring synthetic fur there wasn't much of a technique I needed to master so with only a few seconds to see the gun was spraying satisfactorily, before I knew it I started over my panels. I am using Jo Sonja acrylic Green Oxide artists paint, which applied particularly well but is getting used up very quickly. In fact, I estimate one tube per tile and after just these two, I am out of paint. Still, whilst I have stalled yet again until I revisit the store to buy up what